On May 4, 1956, rockabilly legend Gene Vincent records the smoldering early-rock classic “Be-Bop-A-Lula,” in Nashville, Tennessee.
When a music critic wants to indicate that a song lacks lyrical sophistication, he or she will often refer to its lyrics as being of the “moon in June” sort. It’s a label left over from the Tin Pan Alley era, when even great composers like Irving Berlin churned out a hundred uninspired Moon/June tunes for every highly original classic like “Blues Skies” or “Puttin’ On The Ritz.” If rock and roll has an equivalent in the area of clichéd lyrics, it is probably “Baby” and “Maybe”—a rhyming pair made most famous in “Be-Bop-A-Lula."
The story of how the decidedly un-complex lyrics of “Be-Bop-A-Lula” got written is shrouded in a certain amount of controversy. Officially, Gene Vincent’s business manager credits Bill “Sheriff Tex” Davis, a savvy 40-year-old songwriter from Connecticut, as the songwriter. However, others credit a young man named Donald Graves—a buddy Gene Vincent made in a Portsmouth, Virginia, Veteran’s Hospital. Vincent—born Vincent Eugene Craddock in 1935—had just reenlisted in the U.S. Navy in the spring of 1955 when he suffered a devastating leg injury in a motorcycle accident.